4 Good Reasons to Tune Your Soprano Uke in 5ths, and 1 Great One

Fun factoid…. Avocados are not a vegetable. They are a berry. A single seeded berry. So if an avocado ain’t gotta be what it (obviously) is, then a ukulele can be a mandolin! That is to say that a soprano ukulele can be tuned in 5ths, just like a mandolin or violin with some help from a custom-gauge set of strings.

BUT HOW?

Since a ukulele isn’t specifically engineered to be tuned with the tension required for 5th tuning (E-A-D-G) you absolutely have to get your string gauges perfect to adapt the machine that is your ukulele to a more high-tension tuning. Aguila is one of the companies that makes a custom gauge set of string for 5th tuning, and they are fairly easy to find. SO please start by restringing your uke. As a note, it really doesn’t work well to tune the 5th tuning gauges to a standard tuning, so… you hear it coming… maybe you need to get another uke just for this experiment. I have a couple soprano ukes so I was set to go.

BUT WHY? (Here are 4 good reasons and 1 great one)

1: It gives you another voice to layer into your ukulele playing. This sounds nothing like a uke, more punchy like a mandolin, but kinda harsh like plucking a violin with a pick.

2: You will get to explore learning something new. If you don’t know anything about a mandolin, you should grab a chord chart, and maybe some tablature for some old fiddle tunes. Mando lin tablature is written on just four lines, so you wont have any trouble using it for a 5th tuned ukulele.

3: Very few other musicians, especially folk musicians, take this approach… So that means you aren’t copying ANYONE! That also you can’t do it wrong… In fact, you are the trendsetter. Getting on at the ground floor is pretty cool.

4: It is really fun to be the unique musician in a jam session, and this will a but assure that will be the case. Just before writing this blog is the first time I have tried tuning a uke in 5ths, and I can’t wait to give it a more public premier.

5: You will develop new techniques that inform and influence your playing on other instruments. This could be the best reason of all. I found that when tuned in 5ths, my soprano uke would kind of “wolf note” on any open string when soloing. So I tried to palm mute everything. This ended up sounding pleasantly “pizzicato” (when a violin is being plucked instead of bowed). After doing this I started trying to incorporate the pizzicato effect into playing the mandolin. I have always palm muted the mandolin, but not so much that the notes sounded super plucky. So, my mandolin playing evolved as a result of playing the uke tuned in 5ths.

MOVING FORWARD

If you would like to try this approach, please please please visit your favorite local music store first and pick up a set of ukulele strings designed for 5th tuning. Shopping local first is the best default strategy anytime! Please support your neighbors.

If you need to shop on the internet your favorite string shop probably has them available, and if you are an Amazon shopper, I have a link below to the strings I bought.

Also, I have a little YouTube of my 5th-tuned-uke experiment below. If you watch the video please watch through to the very end… I just really like the little cartoon of me on the very end of video – no other reason – just want to share the funny.

https://youtu.be/WADAwqm-bGY

FREE stuff!

I would like to invite you to subscribe to my blog. That way you won’t miss any of my acoustic and traditional music ramblings. When you subscribe to the NekkidMusic.com blog, you get a FREE get started e-guide to learn the 5-string banjo! You will learn the basic blocking and tackling to get you started playing chords, rolls, and fun old tunes on the instrument that launched the ship that Earl sailed upon. (I hear angels singing.) Please subscribe!

Take a leisurely look at my general store where I keep some links to important things that you can buy to help your pickin’. >>> Link to NekkidMusic.com general store <<< 

Thanks for stoppin’ by today! Ya’ll come back and we’ll do some pickin’.

TH

Oofda Glass Worry Stone Pick

Of all my whiney personal trials, I think having broken a couple of fingers, then developing chronic tendonitis and arthritis in my hands to be amongst my most well-attended pity-parties. I am a bluegrass musician, and when my hands can’t kick in an’ pick like the mill tails of Hades, I am just not livin’ a full and thrilling existence. (I know – ‘real drama’ right?) 

One thing I had to forgo a long time ago was holding a flat pick. For a while, real thick picks like the great Blue Chip would do the trick if I used fiddle rosin or Big Sexy Hair Powder Play to add some grip-factor on my fingers. The hair stuff was my favorite. It would grip a pick and got even stickier as my hands started to sweat a bit. My pickin’ buddies did call me ‘Big Sexy’ for a while, but I have had worse nicknames.

Eventually I gave up flat-picking altogether and started fingerpicking everything. To flat pick you have to grip like you are trying to smush bugs at a picnic with a toothpick. To fingerpick, you make a gentle, non-grip, motions like you are tickling a kitten’s belly. Much easier on crampy hands.

Then the day came when my wife bought some glass jewelry from Oofda Stained Glass. The jewelry came with a heart-shaped glass worry stone. It is smooth on one side, a little rougher of the other, with beautifully smooth edges, really thick, and it is quite heavy. It felt great in my hand, so I tried it out as a pick… Yup! I am back holding a flat pick again. Hello old friend!

A nice lady at Oofda sent me a heap of worry stones in various thicknesses for me to try out, in the meantime she is working up a passel of pick-shaped picks. Now I just need to find where I put my ‘Big Sexy.’

BTW – take a trip over to the Oofda Stained Glass’ Facebook page, and tell ‘em Big Sexy sent ya, and you wanna do some pickin’ with glass. They will set you up right nice.

>>> Link to Oofda Stained Glass facebook page <<<

Here is a quick demo of the Oofda Worry Stone Pick, on a nylon string folk guitar as I take a turn through the ol’ Wildwood Flower.

Try this cool stuff so ya’ll can get a grip on that flat pick! If you try the hair stuff, just dab a bit of powder on your pick-holdin’ thumb and index finger. To use rosin, you should just take your jack-knife or sandpaper and scuff up a bit of rosin powder and apply it the same way. Re-apply as needed. The hair stuff washes off pretty good, the rosin is on your fingers for the long haul.

FREE stuff!

I would like to invite you to subscribe to my blog. That way you won’t miss any of my acoustic and traditional music ramblings. When you subscribe to the NekkidMusic.com blog, you get a FREE get started e-guide to learn the 5-string banjo! You will learn the basic blocking and tackling to get you started playing chords, rolls, and fun old tunes on the instrument that launched the ship that Earl sailed upon. (I hear angels singing.) Please subscribe!

Take a leisurely look at my general store where I keep some links to important things that you can buy to help your pickin’. >>> Link to NekkidMusic.com general store <<< 

Thanks for stoppin’ by today! Ya’ll come back and we’ll do some pickin’.

TH

The Beautiful St. Anne’s Reel

Kierkegaard once said that ‘grits are not a problem that needs to be solved, but the only true Southern way to experience corn that doesn’t get ya drunk.’ He was the father of ‘bubba-level existentialism.’ Not Soren Kierkegaard, the 19th-century Danish philosopher, but my ol’ pickin’ buddy, fair-to-middlin’ fiddler, and deep thinker, Enis Kierkegaard from Beaufort, SC.

This post is highly ‘bubba-stential.’  

I finally came to terms with the mandolin! The mandolin was demanding that she play rough and loud with chopping vamps and lick-based solos in rousing bluegrass songs. And I would be forced into compliance! I had to confront her. I just wasn’t that good at it. The mandolin taunted that perhaps my hands weren’t as nimble as they once were, or maybe my mind was slowing and solo improvisation was out of reach for me.  But it was something else… I experienced the mandolin as a beautiful, ancient instrument, the deliverer of the literal siren’s song. Then she said, “so you want to play beautiful melodies on my four courses?” I said that I did. The Mandolin then said, “I will allow fiddle tunes, reels, and waltzes, but that’s as soppy as it gets!” I struck the deal!

I have only given a human name to one instrument in my life, but I regularly give a name to the essence of an instrument. The spirit of the mandolin, to me, is Hannah, the canonical derivation of Anne. Because the mandolin’s essence gave us ‘St Anne’s Reel,’ as a blessing of a lilting melody and an ancient story for our hearts to dwell on.

When I play this great old tune, I daydream about a blind youth in Apt France leading Charlemagne to the hidden entrance of the relics of the grandmother of Jesus, Saint Anne herself. For a good ol’ boy like me, drifting away on an apocryphal quest is something significant enough to write about! 

Tracing the origins of old fiddle tunes can be pretty dicey. For St. Anne’s Reel, we started calling the song by that name en masse, when Canadian fiddler Joseph Allard recorded it in the 1930s. But the melody goes back for a couple of centuries before that. Likely a French a-a-b-b dance tune that translated well to an Irish reel… Just like the story of the blessed St. Anne translated well to the Vatican when granting her patronage of grandmothers with wayward grandchildren, miners, and equestrians. (That’s right, The Good Lord’s Memaw watches over the horsey set. I reckon everyone needs a blessing from time to time, even those who are uppity enough to wear jodhpur breeches in public.)

If you share my affection for beautiful old-timey fiddle tunes, please consider St. Anne’s reel as one of those songs that mature along with you over time. Not just a tune you learn so you can jam with your crew, but something that will develop with more and more sophistication year over year. Just like my friend Gene. He retired as a Major in the US Army, a Ranger, and an honest-to-taters warrior. Over time, Gene matured into a right successful Georgia bee farmer and, I wouldn’t say he is a hippie, but he has a ‘deliberately organic spirit’ about him. I just like that feller! He is not afraid to embrace his personal evolution.  Such is St. Anne’s Reel. She came to me as a bluegrass reel, then evolved more of an Irish traditional melody, and now she sports some contemporary chord structures. Just like Gene, she is refining with the passing of time.

Below is a link to my video demo of St. Anne’s Reel.

FREE stuff!

I would like to invite you to subscribe to my blog. That way you won’t miss any of my acoustic and traditional music ramblings. When you subscribe to the NekkidMusic.com blog, you get a FREE get started e-guide to learn the 5-string banjo! You will learn the basic blocking and tackling to get you started playing chords, rolls, and fun old tunes on the instrument that launched the ship that Earl sailed upon. (I hear angels singing.) Please subscribe!

Also please take a look at my general store when I keep some links to important things that you can buy to help your pickin’. >>> Link to NekkidMusic.com general store <<< 

Thanks for stoppin’ by today! Ya’ll come back and we’ll do some pickin’.

TH